A snark

This email arrived in my box at school this morning:

I wonder what would happen if we treated our Bible like we treat our cell phone?

  • What if we carried it around in our purses or pockets?
  • What if we flipped through it several times a day?
  • What if we turned back to go get it if we forgot it?
  • What if we used it to receive messages from the text?
  • What if we treated it like we couldn’t live without it?
  • What if we gave it to Kids as gifts?
  • What if we used it when we traveled?
  • What if we used it in case of emergency?
  • This is something to make you go …hmm….where is my Bible?

Oh , and one more thing. Unlike our cell phone, we don’t have to worry about our Bible being disconnected because Jesus already paid the bill.

Makes you stop and think “where are my priorities?

And no dropped calls!

I don’t know why this kind of thing gets on my nerves, because it’s perfectly sincere in its insecure way. But it does. If I had to be specific, I guess I’d have to say it’s the implied martyrdom that so many of our more conservative Christian friends like to assume. They’re really more comfortable believing they’re in the minority and are persecuted like Paul or Stephen. Lacking convenient ways to be crucified upside down or to be stoned by the community, they pretend someone is throwing rocks at them anyway.

Anyway, I couldn’t resist. I wrote, but did not send out to the whole school like the other person, “What if we treated our cell phones like Bibles?”

  • What if we thought that people who didn’t have cell phones were going to burn in hell?
  • What if we killed people over which cell phone company was the best one?
  • What if most people thought that those new-fangled cell phones that took pictures and did email weren’t “the real cell phone”?
  • What if we decided that we should live our lives only after checking for messages on the cell phone?
  • What if we all heard different messages when we checked?
  • What if we called those who acted on those different messages “godless” or “neanderthals” or any other derogatory term?
  • What if we wanted to make everyone else turn off their cell phones and use only ours?

That’s all I’ve got so far. Any suggestions?

Set crew (Day 267/365)

I bought what I hope is the last round of supplies for set crew, and after I got home I made myself go to the backyard and work.

I got the suitcases framed together, and I got all the Toast Head fronts and backs taped to the construction paper. Tomorrow morning I’ll finish the right sides, then glue the foam together, after cutting the remaining foam.

The lawnmower repair place had called to say that our lawnmower was ready, so I walked over to get it. On the way back I passed the new sewing place on Madison St., so I whipped on in there. The owner, Cindy Roberson, was thrilled at the prospect of being our costuming resource. And upstairs, she has an actual costume shop. It was everything the second floor of Manget-Brannon or Johnson Hardware was ever supposed to be. And she wants us to use it.

How’s that for pieces of the puzzle falling into place?

98 days to go.

Video (Day 266/365)

I thought maybe I’d get some work done on the Toast Heads when I got home from Atlanta, but I had forgotten about the rain.

Instead, I plugged away at the lyrics video. Not very creative, but has to be done.

In other news, I met with Blake Bass, Superintendent of the Coweta County School System, and he’s on board for the project. He even had some key suggestions about fundraising and involvement which I’ll share later.

99 days to go.

Video (Day 265/365)

Working with the State STAR Student program doesn’t leave you a lot of time to do anything else that particular day, since you begin interviewing these fabulous students first thing in the morning and don’t finish till midafternoon. Then you have to pick the “best” student out of nearly 20 nearly perfect kids. And then there’s the two-and-a-half hour banquet.

So even if we’ve begun the magical countdown of 100 days, all I had time to do was add on a few more songs to the William Blake lyrics video.

It was remarkable this year that almost all of the students were accomplished musicians. And when I say accomplished, I mean things like “concertmaster of the ASYO,” “first chair flute of All-State Orchestra three years in a row,” or like our 2007 State STAR, Keru Cai, a concert pianist who knocked our socks off at GHP in 2005 with the Rachmaninoff 2nd.

One disturbing thing about this year’s STAR program: in years past, one or other of the local television morning shows would have the STAR student and teacher on to talk about their accomplisments and relationship. They all declined last year, and again this year. Their reason? Just not exciting enough.

Next year I’m going to suggest that the STAR student take the judges hostage. Or maybe the judges should take the STAR student hostage. Either way would be more exciting than talking to an accomplished, witty product of Georgia’s schools and her inspiring teacher.

Video (Day 264/365)

After checking into my room at the Atlanta Renaissance Hotel for a long day of interviews and banqueting tomorrow, I actually got some work done.

First, I worked on some more video for the backers audition. I don’t know whether I’ve talked about this or not, but this video is a replacement for the PowerPoint-like presentation we used at the First Look performance in January to give the audience some extra help with the lyrics.

One of the problems with the Keynote (Apple’s prettier version of PowerPoint) presentation was that I could add the William Blake’s Inn playlist from iTunes as background, but there was no way to time the slides to the music. Once the playlist started, Melissa had to stay on her toes and keep clicking to move the slides along, and there was no stopping or pausing. Those who were involved will remember jumping right in to announce the title of the next piece before the music started.

I decided to fix that by creating a separate video sequence for each piece, with text keyed directly to the music. If we have to, we can pause the video to set up for the next piece. Otherwise, it looks just like a PowerPoint presentation.

I will also be able to use all the visuals we’ve been working on, especially Marc’s recent works of genius: fading them in, moving them across the screen, etc.

So this afternoon I got two or three more of the songs done.

And then, like a fool, I opened up the orchestral score for Man in the Marmalade Hat. I was bored with the video, and since I had deliberately brought nothing else to work on, and since I was resisting paying for internet access (impulse control which I have clearly given into), I thought, why not?

::sigh:: It was exactly as I feared: getting the basic choral parts laid out in the strings was easy. Getting the tympani in line was easy. Adding the double-bass to the mix was super easy. And then I began looking at the rest of the battery of percussion.

Part of my apprehension (well-founded) about starting work on this is that percussion sounds are keyed to specific keys on the keyboard, but percussion scores don’t show pitch. And of course both my keyboard and my manuals are at home. I had to show the keyboard layout by pretending to edit the percussion sound, then convert the percussion line to an actual music staff, then transpose the random note to the actual pitch indicated on the keyboard.

This means that for the triangle, for example, we’re looking at a B-flat two octaves above the staff. Whether it can be wrangled back onto a single-line percussion staff remains to be seen.

That was not the worst of it. Once I got used to that process, it wasn’t too bad. The soul-killing problem developed after I got the tympani, the bass drum, the gong, the triangle, and the snare drum laid in. My old enemy, overload buzz, reappeared.

I gave up in frustration, so it’s too soon to tell, but it looks as if even my new laptop with 3GB of memory cannot handle a simple string and brass combination, I’m leaving the woodwinds out at this point for both memory management issues and because I’m thinking I need to divert at least some of them to play percussion for this number, plus seven percussion instruments.

The only solution that has occurred to me involves taking the dynamic levels down a notch or two, or the recording levels down, and then bumping the loudness back up in my audio editor. We’ll just have to see.

And happy birthday, Anthony Trollope!

Progress on work (Day 263/365)

It’s a Monday, so of course my evening was taken up with Masterworks.

But I did get the rest of our supplies bought, including a new radial saw blade (huzzah) and actually got the foam cut out and half the toasts applied to the construction paper for the Toast Heads. Then I moved stuff inside in case it starts to rain earlier than Thursday.

I’ll be out of pocket for the next two days with the State STAR Student program. Since it’s in a nice hotel in Atlanta, I doubt there will be free internet, so anything creative I have done will have to go unremarked upon until Thursday afternoon.

And happy birthday to William Shakespeare!

Work in progress (Day 262/365)

I sat in the back yard this afternoon, soaking up the lovely weather and reading through the State STAR Student resumés and applications. Once again, a stunning group of students. We will interview them on Wednesday and pick one as the State STAR, often a tricky proposition as you can imagine.

I also took a hard look at what we accomplished yesterday at the set crew for William Blake’s Inn. Here’s what we still need to do in the next seven days, with the items in green being the ones I think I can get done before Friday:

WALLS

  • reinforce breaks in edges with slices of “corner cardboard”; attach with box rivets
  • finish painting “woodwork”
  • glue chair rails to walls
  • paint fireplace panel with architectural detail
  • cut final fireplace opening
  • hang black fabric on fireplace opening
  • paint architectural detail on other walls

SUNFLOWER TEA SET

  • cut out cup handles (cardboard)
  • cut out pot handles (cardboard)
  • cut out tray
  • paper maché tray
  • shape cups
  • shape pot
  • attach cup handles
  • attach pot handle
  • paint cups
  • paint pot
  • paint tray

TURTLES

  • make turtle heads, feet (cardboard)
  • shape turtles
  • paint turtles
  • cut panes
  • glue topaz plastic (spray with hairspray/starch?)
  • cut out turtle bases (x3)
  • cut out turtle wheels (x3)
  • cut dowels for axles (x3)
  • make axel mounts (duct tape: create ring of duct tape, tape ring to base) (x3)
  • mount lights to base (x3)
  • mount turtle to base (x3)
  • string turtles

SUNFLOWER SUITCASES

  • assemble frames
  • cut out cardboard faces
  • cut rope for handles
  • drill holes for handles in top center brace
  • mount faces
  • attach handles
  • paint

TEA TABLE

  • We need just to find a small table and drape something over it.

TOAST HEAD BANNERS

  • drill holes 2 ft up: 1/2” hole
  • insert 12” tube through hole
  • punch holes in top fabric (to avoid drill wrap!)
  • drill holes in tops: L, R, C
  • nsert screweye in top of pole
  • mount tops: bolt one banner, insert C bolt through eye, bolt other banner (nuts on either side of banner top)
  • screweye on ends of bottoms
  • wire bottoms through tube
  • paint banners

TOAST HEAD BAND INSTRUMENTS

  • cut out gong, beater
  • paint gong, bass drum, snare drum, cymbals, drum sticks (5)
  • mount straps on bass drum, snare drum

TOAST HEADS

  • cut head holes in boards
  • cut foam: f/b = 12×14; sides = 121×11 (x10)
  • cut construction paper faces: f/b = 12×14; sides = 12×13
  • glue toast to construction paper
  • assemble foam panels in square
  • measure individual Toast Head, position head piece in foam block
  • attach foam to head piece
  • cut eye slit

SNOW DRIFTS

  • cut 2×2 (12)
  • mount front face to 2×2, flush to floor
  • mount bottom to 2×2, flush with front face
  • paint front white
  • paint “inside” green w/ flowers
  • add felt sliders to bottom

ANGEL COSTUME

  • cut backpack up
  • cut tabs for wings
  • cut out wings (cardboard)
  • paint wings (reddish phalanges; blue feathers)
  • attach wings to tabs
  • build angel gown (velcro slits in back to pull down over wings) [Carol Lee]

KING OF CATS VEST [Carol Lee]

  • draft vest pattern to fit Dale (or buy one)
  • cut out vest: purple shag for front; gold lamé for back
  • sew vest

If you’d like to help, email me. If you’d like your personal copy of this punchlist, click here.

In addition to these items, I personally have to re-record most of the songs, i.e., bring them up in the new version of Finale and create new sound files from them. With any luck, my new laptop will be able to make the AIFF files without any hiccups (as currently exist in Milky Way and Postcard, to name two.)

Then I have to import those AIFF files into Final Cut Express and create a video for each song, with at least the lyrics and hopefully with images we’ve been creating in workshop since January. I have three done (Prologue through Wonderful Car). That’s a lot still to do.

I have to burn the DVD of all those videos, or rather the one long, 45-minute video, which we can pause between songs.

I have to create the program for the May 3 performance, get that to the printer, and get it picked up.

This is not counting the workshop/rehearsal Wednesday night, nor is it counting my involvement as chair of the State STAR Student event, which will devour Tuesday and Wednesday afternoon/nights.

And it’s not counting the Bjork swan dress I have to make before May 4.

Excelsior.

Set crew (Day 261/365)

We met for set crew at my house at 10:00 this morning, and by the time we finished, we got at least most of the items on our list started, although none of them were finished. We were hampered by not having a large enough crew, but those of us in attendance worked hard.

We started with the paper maché, since it had to dry before anything else could be done to it. Here we are starting the teacups and turtles:

The crew starting the teacups and turtles

Here’s Marc working on his turtle later:

Marc and his turtle

We also got the walls started, since we had to wallpaper them. The first step was to reinforce the edges so that they would flap over. We used some extremely sturdy corner packaging, originally used in shipping window blinds. Here are Molly and Carol Lee getting ready to cut one with a hacksaw:

Molly and Carol Lee with the corners

Marc and I took turns wallpapering the walls.

Dale wallpapering

Here’s one that’s done:

A wall

Mary Frances painted the edge reinforcements brown, sort of a wood-looking effect. She also painted the chair railings which we will have to attach later:

Mary Frances painting the woodwork

Ginny cut out the headpieces for the Toast Heads:

Ginny and the Toast Heads

Carol Lee and I worked on the Toast Head’s banners, which we hung on the fence to dry:

The banners drying

Galen measured out the lumber for the Sunflowers’ suitcases:

Galen measuring

We also got the snowdrifts and the Toast Heads’ instruments cut out of the cardboard.

So lots got started, but nothing got finished. I’ll assess all of that tomorrow.

After we exhausted ourselves with set crew, we had a cookout and just relaxed around a fire in the backyard. The weather was beautiful all day, and the evening was the same.

Shopping (Day 260/365)

I spent three hours this afternoon shopping for all the materials we’ll need to build the walls, the toast heads, the turtles, the tea set, etc., etc.

At my very last stop, Frugal Fabrics for foam, I found black and white fabric that will serve for the Wise Cow’s boa/stole. I wasn’t looking for it, but there it was.

This shopping experience was a little bittersweet in that it was exciting to be this close to getting the Inn turned into reality, but it brought back the memories of all those years keeping the theatre afloat with my money. I had sworn that I was not going to pay for this production, and I’m not. If no one steps forward after May 3 to take the role of producer, i.e., fundraiser, then it dies. Well, the idea of a premiere in Newnan dies. I intend to pursue the Inn in other places if Newnan can’t step up to the plate.

Tidying up (Day 259/365)

I sat down tonight with four small, manageable goals, just to get some things done. My main goal was to be in bed shortly after 10:00.

First, I took our What We Need list from Lacuna workshop, and broke it down into the actual materials we would need on Saturday. Then I sorted those items out into five different stores for one giant shopping spree tomorrow. I’ll be lucky to get home in time to do any of the Art Walk downtown.

Then I did a very rudimentary (i.e., unusable in real life) piano reduction of the sunflower waltz to insert into the piano/vocal score of Two Sunflowers. I’ll need that on May 3 in order to get the sopranos and altos back in for the repeat of the second verse. I’ve been maintaining separate versions of Two Sunflowers, the original and the extended versions, because I think that in its future concert career the Inn will not need the sunflower waltz. At some level I regard it as an unnecessary accrescence.

Next I tinkered with the orchestration of a measure in Milky Way that had been bugging me for months. All it needed were two additional sixteenth notes in the violins, but what a difference it made to my ear. Everyone else is thinking, “Where the heck was there a problem?”

My other goal for the evening was to finish the storyboards of Make Way and Two Sunflowers for next week’s rehearsal, but I didn’t get to it. A chunk of my time was devoted to a phone call on GHP business, so I’ll have to finish it this weekend.

In other news, I had a scathingly brilliant revelation on What to Wear on May 3 for the Wise Cow: a wrap/stole affair, glittery black & white fabric. (This came about while I was realizing that everyone is going to want a costume.)