Regrouping (Day 276/365)

When an event like the William Blake’s Inn backers audition roars through one’s life, it’s like the disruptive force of the Marmalade Man: everything is turned upside down with no time nor energy nor focus to set it right.

So for the past week, the house has gone uncleaned, meals uncooked, items untidied. My life has been disrupted, broken apart by one evening, an important one, but just one evening. Now it’s time to put it back together.

I’ve spent some of yesterday and some of today packing away the Inn stuff: Toast Heads, sunflowers, brushes, hardware, etc. Some stuff has to go back to school. Books need to be shelved. Reference clippings need to be put into the scrapbook.

In some way, it’s like the music to the Epilogue: we’ve reached the end of the journey and need to sort it all out, looking back and cleaning away. And that’s part of the creative process as well, just tidying up and thinking about it all, before beginning the next project.

Not that this one is over, by a long shot. Now the hard part begins, taking it all forward to the world premiere. How many ideas will fall by the wayside? How many compromises will we have to make? How many concepts will be executed in ways that do not match our dream?

That’s tomorrow. Today, I clean up.

89 days to go.

Relay for Life (Day 275/365)

I had never been a part of Newnan Crossing’s Relay for Life team before. I’d supported it, donated to it, but back when I was still at NCTC, there would be a show to take care of, and then I just never motivated myself to get on board.

However, since my friend Mitch Powell’s death last fall and his wife (and my friend) Anne’s recovery, I felt shamed into doing something more active. And so I went to the organizational meeting for the team.

We made plans to raise money via our friends, our students, their parents, anyone we could think of. During that meeting, those who had been part of the team in the past lamented that Ken Chambless, our former PE teacher, had gone to Welch Elementary. Who, oh who, would be our team’s Mr. Relay?

Dale, that’s who. I happily agreed to this position, knowing, and suspecting, nothing. They did mention that Ken had worn Daisy Duke shorts and a feather boa, but since I gathered that the position was essentially a team mascot to attract attention and donations, I figured that I could wear my kilt and a Hawaiian shirt and make a similar stir.

In actuality, it’s not “Mr. Relay,” it’s “MISSter Relay,” and it’s a drag contest. I found this out almost by accident a couple of weeks ago. Oh well, in for a penny, in for a pound. The theme was Hollywood, so I decided on the infamous, iconic Bjork swan dress.

[I almost backed off that particular frock, what with William Blake’s Inn swallowing all my available sewing time. I thought I had my teal dinner gown from the drag ball murder mystery hanging in my closet (heh), but couldn’t find it. Laurel Alford, president of NTC, kindly found it in the costume shop and brought it to me as my backup.]

I spent the week in my media center madly gathering netting and stitching it onto a circular skirt. Yesterday, I painted the swan head (leftover foam from the Toast Heads) and hacked out a slipover, one-shouldered bodice to tuck into the skirt. Voilá, an incredibly ugly version of Bjork’s ridiculous but elegant gown.

Add some makeup (lipstick and nails to match the swan’s beak), Ginny’s Mame wig, and I was good to go.

I have to state at this point that this sort of thing is way outside my comfort zone. Yes, I know, my fellow staff members were astonished to hear that after it was all over, but it’s true. I have never done drag in public before and have in fact avoided it. (The murder mystery was in-house, so to speak.) Part of it has to do with my incredible lack of macho-ness, I guess, and the idea that people will simply purse their lips and raise their eyebrows and make assumptions they ought not to be making. Why I should care, I don’t know, because God knows I don’t give a damn in any other area of my life. Why I can greet a fellow actor with a kiss on the cheeks, or lips, even, in public, but not put on a tacky costume, is perhaps a personal failing I need to look into, but there it is.

So anyway, this pitiful act of bravery, motivated by the unnecessary death of an old friend, had me lining up behind the stage with all the other gentlemen, many of whom had made an sincere effort to look good. I was clutching my Snape cape about me, along with a large purse and a champagne glass filled with ginger beer. We were called onto the stage one at a time, and when it was my turn, I handed my champagne to the announcer, turned my back to the audience, dropped the cape, and swirled around.

The crowd went wild. Quite gratifying. Then we all walked the track for an hour, accosting innocent strangers and demanding money from them. Those guys who had gone with the high heels were soon regretting it; I wore sensible white walking shoes. One more detail: the leotard I wore under the whole thing was lined in the bosom area, so I inserted a dog’s chew toy under the swan’s head. Lo, a boob that squeaked!

Anyway, I hauled in $777, which was not bad, but not good enough to beat BB&T’s Scarlett O’Hara, who came in with $1500.

Another detail: I began hearing bits and pieces early this week that there was talent involved. I could get neither confirmation nor denial , so I went on a search for a karaoke song I could sing. At first, I thought “Sempre libera” from La Traviata would be perfect, but it has a two-octave range and I couldn’t make it work. (That was from an opera karaoke website, believe it or not.) Then I found “The Lady is a Tramp,” but I didn’t know it well enough and didn’t have time to learn it. This was during this week, remember, when I was also preparing the backers’ audition in every non-school moment.

Finally it dawned on me that I could input any song I wanted into Finale and make my own karaoke track. Doh! I quickly picked “I Get a Kick Out of You,” spent Friday morning getting it laid out, exported, and burned. Driving back and forth, I worked out my own special stylings, and I was ready.

And then they didn’t have us do anything! The whole evening ran behind schedule, so they cut our talent. Philistines.

Finally I was off duty, and I quickly changed into my kilt, washed my face, and finally relaxed a bit.

The rest of the night was uneventful, but so cold as to make it most uncomfortable. I finally had to put my jeans back on and wrap up in my cape. Some sleep, but not a lot, and throughout the evening I and everyone around me were occasionally startled by my vivid red fingernails. What a strange way to be reminded that you are alive and conscious.

90 days to go.

The backers audition (Day 273/365)

tThings went well. I’ll post a full report Saturday night after I get through Relay for Life.

update: It’s Sunday morning and my brain is just now emerging from the sludge. Later.

Finally posted Monday night!

First of all, the backers audition tonight was a success. I thought the chorus sounded as good in parts as they’ve ever done, and I think they’d agree with me that we just fell apart on some spots, especially the first number. I have come to hate computerized accompaniment.

Solos were all spot on, mostly because we could follow the accompaniment by ourselves. Coordinating the whole gang was more of an issue.

I thought Denise and Marc set a wonderful tone with A Rabbit Reveals My Room. Marc’s Bear was wonderfully comfortable.

Our staging for The Man in the Marmalade Hat Arrives worked, although I would love to see it on video. We had a lot of pieces to move around and I’d like to see if it looked cluttered or if it looked intriguing. From the still photos I have, I think it looked as if we knew what we were doing. And of course, the hedgehogs were adorable.

The King of Cats Orders an Early Breakfast and The King of Cats Sends a Postcard to His Wife were solid hits. I was actually accused of enjoying myself a little too much, but the songs are incredibly fun to sing, and present plenty of opportunities for characterization.

Anne’s voice is such an incredible instrument. I’ve told her that every time I write a soprano solo, I’m thinking of her. The Wise Cow Enjoys a Cloud and The Wise Cow Makes Way, Room, and Believe show her off to perfection.

Two Sunflowers Move into the Yellow Room was a huge hit. First of all, the song is quite lovely in and of itself, and I think our staging astonished everyone. Melissa and Denise sounded quite lovely together. The sunflowers themselves were a clever idea, and the sunflower waltz was a wicked combination of parody of and homage to classical ballet.

All the comments I’ve gotten indicate that Blake Leads a Walk on the Milky Way is the crowd favorite. It’s a gorgeous piece, of course, but I’m sort of surprised: it’s nearly seven minutes long, with long sections where there’s no singing. Formally, it’s in modified sonata form, but that’s not going to register with 98% of the listeners. I can’t explain its appeal, other than people just thrill to its ultra-romantic stylings.

The rest of the work went well: Malcolm’s Marmalade Man, Mary Frances’s Tiger, and Marc’s Tailor, all hit the mark.

Most importantly, the performance impressed an awful lot of people and opened their eyes to what we’ve been talking about. We have a coordinator from the Cultural Arts Commission who’s willing to take on the project, more about which later. That was our major goal in staging the evening, so whatever weaknesses qua weaknesses were evident, they are completely irrelevant.

92 days to go.

D-1 (Day 272/365)

More swan dress, more netting. More gathering of dozens of yards of material. More dirty words under my breath. But it’s getting closer.

However, I had begun to suspect that I was not being told the entire story on the Relay for Life drag show, so I did some emailing around to find out the whole truth. It was as I suspected: there is a talent portion. I have tracked down a karaoke version of “Sempre libera” from La Traviata, but whether I can get it transposed in time for me to learn it is another story.

I tracked down a green cummerbund for the Rabbit (and a gold bowtie for the King of Cats), so that’s my last stab at getting ready for tomorrow night.

Bette copied me on email to the Cultural Arts Commission, outlining all the food quotes she’s pulled from the book to decorate the refreshments table with. I forwarded it to Nancy; I think we amuse her.

And finally, huzzah! Tonight’s rehearsal was great! All of us were there, and what a difference that makes: the music sounded as good as it ever has. And the staging is startlingly good. I think people are going to be surprised, delighted, and impressed.

93 days to go.

D-2 (Day 271/365)

::huge sigh of relief::

Tonight’s rehearsal was a lot better than we’ve been sounding. We had everyone but Denise in the chorus, and it made a huge difference. We sounded a lot better.

Tomorrow night we’ll have everyone there for what purports to be a dress rehearsal. It should go quite smoothly, actually.

In other news, I started my swan dress today. Yes, that’s right, in a probably vain attempt to beat Matthew Bailey, Jr., at the Relay for Life drag show on Friday night, I’m recreating Björk’s infamous swan dress. You have never seen so much net in your life.

94 days to go.

Heavens to Betsy

From the great state of Utah, in the department of Conservatives Who Are Not Like You or Me:

[District 65 Chairman Don ] Larsen is urging the closing of national borders to illegal immigrants to “prevent the destruction of the U.S. by stealth invasion.”

“In order for Satan to establish his ‘New World Order’ and destroy the freedom of all people as predicted in the Scriptures, he must first destroy the U.S.,” his resolution states. “The mostly quiet and unspectacular invasion of illegal immigrants does not focus the attention of the nations the way open warfare does, but is all the more insidious for its stealth and innocuousness.”

In a speech at the convention, Larsen told those gathered that illegal immigrants “hate American people” and “are determined to destroy this country, and there is nothing they won’t do.”

Illegal aliens are in control of the media, and working in tandem with Democrats, are trying to “destroy Christian America” and replace it with “a godless new world order — and that is not extremism, that is fact,” Larsen said.

At the end of his speech, Larsen began to cry, saying illegal immigrants were trying to bring about the destruction of the U.S. “by self invasion.”

Republican officials then allowed speakers to defend and refute the resolution. One speaker, who was identified as “Joe,” said illegal immigrants were Marxist and under the influence of the devil. Another, who declined to give her name to the Daily Herald, said illegal immigrants should not be allowed because “they are not going to become Republicans and stop flying the flag upside down. … If they want to be Americans, they should learn to speak English and fly their flag like we do.”

 

Somehow, comment would be superfluous. I yield the floor.

 

D-3 (Day 270/365)

At tonight’s rehearsal, we got the hedgehogs comfortable with the stage and auditorium. We also got ourselves comfortable with being complete idiots with the Gang’s close order drill. It will be interesting tomorrow night when we have everyone there to put it all together.

Another half chorus night: Mike, Marc, Melissa, and me. The sound is not good. We’re not balancing, we can’t be heard, and half the time I can’t hear the monitor. Tomorrow night everyone but Denise will be there, so it should give me a little better idea of how it’s going to work.

This afternoon, I did get all the painting done, or at least to the point where it’s just touch-ups to finish: the snowdrifts, the band instruments.

I did a killer collage in Photoshop, using images from FromOldBooks.org. In fact, here it is:

Sunflowers' suitcase image

This I simply glued to the Sunflowers’ suitcases.

Slap that paint! Spray that glue!

95 more days.

D-4 (Day 269/365)

After working on set crew stuff today (I got the angel wings cut and painted; the suitcases painted; the tortoise electrical systems and wheels done; and the chair rails on the walls), I headed over to Wadsworth Auditorium for our chorus brushup.

The theory was that we’d gather together our octet, who has not met since January 10’s First Look, and go over the music to remind ourselves what it sounded like. That was the theory.

Unfortunately, as our friend Tommy Eliot says:

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow

We were missing Anne, Denise, and Mike, and that put a hole in the proceedings. We struggled through, and I know we’ll be OK, but it was still frustrating. I guess I’m beginning to stress out about Thursday. It has become a big deal, garnering all kinds of excitement and commitment, and now I want it to look as good as I know we can make it.

Ah well. Excelsior.

96 days to go.

Set crew (Day 268/365)

Here’s what is left to finish before tomorrow night. If we don’t get it done by then, I doubt we will:WALLS

  • reinforce breaks in edges with slices of “corner cardboard”; attach with box rivets
  • finish painting “woodwork”
  • glue chair rails to walls
  • paint fireplace panel with architectural detail
  • cut final fireplace opening
  • hang black fabric on fireplace opening
  • paint architectural detail on other walls

SUNFLOWER TEA SET

  • paint cups
  • paint pot
  • paint tray

TURTLES

  • make turtle heads, feet (cardboard)
  • paint turtles
  • glue topaz plastic (spray with hairspray/starch?)
  • cut out turtle bases (x3)
  • cut out turtle wheels (x3)
  • cut dowels for axles (x3)
  • make axel mounts (duct tape: create ring of duct tape, tape ring to base) (x3)
  • mount lights to base (x3)
  • mount turtle to base (x3)
  • string turtles

SUNFLOWER SUITCASES

  • attach handles
  • paint

TEA TABLE

  • We need just to find a small table and drape something over it.

TOAST HEAD BAND INSTRUMENTS

  • paint bass drum, snare drum, cymbals, drum sticks (5)
  • mount straps on bass drum, snare drum

TOAST HEADS

  • cut head holes in boards
  • measure individual Toast Head, position head piece in foam block
  • attach foam to head piece
  • cut eye slit

SNOW DRIFTS

  • paint “inside” green w/ flowers
  • add felt sliders to bottom

ANGEL COSTUME

  • cut backpack up
  • cut tabs for wings
  • cut out wings (cardboard)
  • paint wings (reddish phalanges; blue feathers)
  • attach wings to tabs

If you’d like to help, email me.

In the video department, I still have to add Marmalade Man Makes a Dance to Mend Us to the end. That’s five pieces. I should be able to get that done tonight or tomorrow.

97 days to go.