Fulfilling Lichtenbergianism’s core principles

The Lichtenbergian Society has been a godsend! Just when I thought I might force myself to work extremely hard on the songs for Day in the Moonlight so I could in all honesty begin work on the symphony in January, along comes the Society, and above all, its Charter!

Since it’s been well-documented that I’m a font freak, no one will be surprised that I took it as an excuse to buy the Declaration font from P22. This is a replica of the writing in the Declaration of Independence, and it’s the first time I’ve ever bought a really professional set of fonts. It has not one but four complete fonts, plus a fifth one that consists, and how marvelously useless is this?, of nothing but the actual signers’ signatures. Need my John Hancock? That’s a capital A.

What are the other four fonts? One’s the basic Declaration font, then a separate set of alternate letter configurations, then a complete set of the blackletter used in the title and other places (think Old English), and then finally a set of the most common variations of letters and ligatures seen in the document.

What this means is that it’s not enough to type out the Charter in Helvetica and then convert it to Declaration Script, you also have to step back and look hard at the aesthetics of the thing. My first pass revealed a lot of horizontal lines running across the lines: the lower case t’s crossbar is a long and mighty thing, but too many of them and it looks like your printer has issues. The very word procrastination has a line running across half the word.

Not to worry; there are this many t’s in the complete font:

Yes, there’s even an alternate The for the beginning of a sentence, typed with the capital T in the Sorts font. So you make aesthetic choices about which t to use where in order to break up all those distracting lines. Part of it is remembering that the Declaration was not typeset but engrossed by a scribe on parchment; it’s handwriting, after all.

See what I mean about this being a Lichtenbergianismist’s wet dream? Seeking out all the medial s’s and replacing them with the long s; seeking out all the initial th’s and replacing them with the ligature, as well as the tt’s, the st’s, the ll’s, the rr’s , ff’s, wh’s, etc., etc., etc. And terminal consonants at the end of a sentence: is there a swash alternate? Capitals, same thing. Where will Blackletter make a statement?

Whee!

Later: Mike Funt emails me not one but two successive approximations of the seal. I’m posting the second one for your marvelment:

Lichtenbergian Charter: Article II – Membership

Article II

Section 1, Charter membership shall consist of those members who have written the Charter and/or those who attend the first Annual Meeting, also to be known as the Charter Meeting, on December 22, 2007.

Section 1 Section 2—New members may only join when asked by current members, as actively seeking membership forfeits the SOCIETY’s principle belief in procrastination. Current members may invite new members to join whenever they get around to it.

Section 2 Section 3—Membership dues are to be $20 per year, payable by the first week of every year. However, “I’ll get you next month” is perfectly acceptable in lieu of payment.

Section 4, Members are expected, at some point prior to or following their addition to the rolls, to submit a creative work. In the spirit of the namesake of the SOCIETY, it is not required (or even, in fact, encouraged) that said work be either complete or successful.

Section 5, The duty and the right to define, for the betterment of all Mankind, the meaning of Lichtenbergianism is restricted to the Members of the SOCIETY.

  • Proposed 12/12/07, CM Mike Funt
  • Section 1 inserted 12/12/07, CM Dale Lyles
  • Section 4 added 12/13/07, CM Kevin McInturff
  • Section 5 added 12/14/07, CM Dale Lyles

Lichtenbergian business

Besides writing our Charter, we have one other order of business.

Charter Member Jeff Bishop has suggested in other comments that we band together to donate to the ACE children’s toy drive, which is not doing so well this year. Jeff has nominated me ad hoc de facto treasurer for this opportunity, going so far as to not procrastinate and hand over money to me yesterday.

I’d like to make the donation no later than Monday, so if you’re in, bring me some money by this weekend. If you write a check, make it out to me. If you’re mailing a check, email me and let me know the amount and I’ll go ahead and include it.

Our total contribution so far is $60 $85 $105 $130 $155.

Today’s Writer’s Almanac had a reference to a bit of Lichtenbergian poetry, James Wright’s “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota.” You should read it.

The Lichtenbergian Society (Article I)

I propose for the betterment of our SELVES, if not of ALL MANKIND, that we should form THE LICHTENBERGIAN SOCIETY.

We already have the stationery, the seal, and a motto, so now all we have to do is write our bylaws.

The motto, by the way, was developed in consultation with Drew Lasater, the GHP Latin Teacher Extraordinaire.

It is:

Cras melior est.

This means: Tomorrow is better.

Here it is in our seal:

Now, as for our BYLAWS, I have secured a sample nonprofit bylaws which we can use as a model. You may download the PDF file yourself to peruse it.

I’ll begin with ARTICLE I.

ARTICLE I

Section 1 , The Name of the SOCIETY shall be THE LICHTENBERGIAN SOCIETY.

Section 2 , The Purpose of this SOCIETY shall be the promulgation and promotion of Lichtenbergianism, to wit:

  • WHEREAS the German philosopher and scientist, GEORG CHRISTOPH LICHTENBERG, was renowned in his day for incorrigible procrastination, such that his further renown was hampered, and
  • WHEREAS the CHARTER MEMBERS of this SOCIETY are desirous of supporting each other’s efforts at procastinating in their own endeavors which might in fact result in further renown, insofar as is possible,
  • THEREFORE, we the undersigned do pledge and swear to further the renown of GEORG CHRISTOPH LICHTENBERG by putting off whatever we can in such a way as to be in solidarity with our fellow Lichtebergians.

Section 3 , The Motto of this SOCIETY shall be Cras melior est, which is to say, Tomorrow is better.

Section 4 , From time to time, as it shall seem necessary and appropriate to the Membership, and particularly in the period preceding the Annual Meeting, the Society shall make charitable donations such that, if not for themselves then perhaps for some few others of Mankind, Tomorrow should be Better.

Discuss. Add. Edit. Make it more mellifluous.

  • ARTICLE I proposed 12/12/07, CM Dale Lyles
  • Section 4 added 12/13/ 07, CM Dale Lyles

Tom[my Lee] Jones (Mike Funt)

 

The History of Tommy Lee Jones

 

An Actor

 

Book III

 

Containing the Most Noble Scenes Which Transpired at the Institution of Higher Learning Known as Harvard University, from the Time When Tommy Jones Arrived at the Age of Eighteen, Till He Attained the Age of Twenty-Two. In This Book the Reader May Pick up Some Hints Concerning the Education of Young Men.

 

Chapter One

 

A Young Man From Tennessee Presents the Heroe with Strange Omens for the Future of Life on Earth

At this point it is prudent, if not necessary, to remind the reader that from the onset of this history the author has stated that no information would be imparted that is in any way false or fantasy, at least, to the best of the author’s knowledge of the events that passed. It is imperative to bear this crucial fact in mind, Dear Reader, as we follow our hero through the subsequent events of his youth, as pages that follow will seem an invention of a very creative author’s imagination. Though the thought will enter your mind, my dear reader, I remind you perish it, for everything you stand to encounter is as authentic as the words on this page.

Having arrived on the revered campus, an outsider from a minuscule, inconsequential village in Texas, our hero found himself very much alone. He stood there encumbered by boxes, duffels, and other accoutrement that a young man residing away from home for the first time may consider essential to life, and found himself standing just outside the dorm room to which he had been assigned, not quite sure how he had even gotten there. Dropping everything necessary to reach into his pocket, he retrieved a dingy old key and inserted it into the lock of the door marked B-12.

As the door creaked open, young Tommy was surprised to find, not only the lights already on, but another young man, his age, lying across the small bed to Tommy’s left. Upon seeing the door open, the young man on the bed stood, dropping the book he had been reading. He was of an impressive height and muscular build, but knowing that our hero is of more than average height and build himself, the reader will not will not be surprised to learn that this was not the first peculiarity of which Tommy took note. He glanced down at the bed to the book that the young man had dropped when he stood: Global Warming, An Ever-Growing Threat.

“I guess we’re going to be roommates,” said the tall young man. His voice was deep and stilted, but his drawl was unmistakably Southern, which put Tommy at ease straight away…

Another Tom Jones (Marc Honea)

From a procrastinate Tom Jones, Book II, Chapter 2:

“To deny that beauty is an agreeable object to the eye, and even worthy some admiration, would be false and foolish. Is not Love is like candy on a shelf? You want to taste and help yourself, do you not?” The Reverend began to warm to his theme, particularly as the question of Mrs. Quiver’s recent escapades required extensive commentary and earnest moral reflection. “Mind you, it’s not unusual to be loved by anyone. Nor is it not unusual to have fun with anyone.”

Let us briefly at this moment, dear reader, note how the Reverend was in no way oblivious to the true factitious presence of the lady in question. Her breathing, dare we go further and suspect panting, presence was tempting the periphery of his homiletic sights even as he nudged his arguments toward the politely non-disputable. “It’s not unusual to be mad with anyone. It’s not unusual to be sad with anyone.”

“And yet.” Mr. Norbutwait could not resist the opportunity for interjection. “She’s the kind I’d like to flaunt and take to dinner.” In his urgency he seemed most unaware that his punctuation of the Reverend’s disquisition had become a confession. He became transformed. “And she always knows her place. She’s got style. She’s got grace. She’s a winner.”

Alas, poor Norbutwait at this moment was a plaything of his humours. Mrs. Quiver’s eyes, however, betrayed nothing, and the Reverend’s extemporizing was not to be eclipsed by such fevered tender display. “We’re always told repeatedly, the very best in life is free and if you want to prove it’s true, baby I’m telling you, this is what you should do.”

The Reverend seemed to reverse course at this moment, and are you not, patient reader, wholly relieved. “These matters are of a very delicate nature, and the scruples of modesty should compel us, nay command us, even with our knowing it is never modesty’s place to command.”

We may discern the Reverend’s precipitous halt is noted by Mrs. Quiver, whose eyes catch the shuffling churchman’s at this point. It takes but the lady’s mouthing of a certain intimacy, “What’s new, Pussycat,” to Mr. Norbutwait’s surmise, to bring the Reverend toppling into an improptu translation a certain passage from one of Horace’s lesser regarded ecologues:

Just help yourself to my lips
To my arms just say the word, and they are yours
Just help yourself to the love,
In my heart your smile has opened up the door.

“O, dear lady, I long simply to touch the green, green grass of home.” The Reverend falls upon his knees with this expostulation and gathers a portion of Mrs. Quiver’s skirt in his hands and begins mopping his brow.

“But to make this the sole consideration of marriage,” said Lady Quiver, laying a hand upon the shoulders of the dear Reverend, shoulders that continued to lurch in tearful confession, “to lust after it so violently as to overlook all imperfections for its sake, or to require it so absolutely as to reject and disdain religion, virtue, and sense, which are qualities in their nature of much higher perfection, only because an elegance of person is wanting: this is surely inconsistent, either with a wise man or a good Christian. And this point I must come to Mr. Norbutwait’s defense. He always runs while others walk. He acts while other men just talk. He looks at this world, and wants it all.”

Mr. Norbutwait did not hesitate to take an opportunity so generously offered. “So I strike, like thunderball.”

“O why, why, why Delilah,” was what the Reverend muttered as he rose to his feet.

A Waste of Shame (Dale Lyles)

A Waste of Shame

In which the Adults of a pleasant Town are Ensnared in their Efforts to Protect Two YOUNG PERSONS from their Better Natures

CHAPTER THREE

As you have seen, dear reader, the virtues of small town living so often extolled by the more reactionary among us for its salutary benefits were not without their pitfalls. As the buttocks—and thighs—of our young hero, and heroine, continued to mature to perfection, it would take more than the perversity of this author for them to escape the notice of those among whom they lived. Divine forces perhaps could provide for such an escape, but I trust it is clear by now that divinity has little role in our proceedings.

It’s not as if, of course, these physical attributes were the topic of open discussion at the Music Committee meeting at First Baptist or the faculty lounge of Bretenton High School. One of the very real virtues of small town living is that such things cannot be discussed openly, and therefore the race of lust for youthful beauty is impeded by its very secrecy, born of shame and concealed in furtive heat. So no one admitted that he or she was enthralled by the very sight or thought of Tristan’s firm and perfect rear.

It must be said, however, that Mrs. Butler, First Baptist’s organist and a woman of not only of real talent and discernment but also of still viable personal attraction, was quite distressed to realize that her attention during warm-up of the youth choir during Tristan’s junior summer was often wandering from Mr. Temple’s capable baton to the boy’s sneakers, up his shapely bare legs to—Well, she was mostly able to quash those thoughts, quite consciously. But she was also conscious that the hair on those legs was continuing to darken and sprout.

“Such a nice young man, and growing so tall!” she allowed herself to think, and often told his mother so.

Blake Temple, young and handsome himself and new to his position as minister of music at First Baptist, like everyone else in Bretenton found the boy’s beauty startling and distracting. As he maintained eye contact with all the members of his youth choir, scanning the healthy young faces in turn, he found Tristan’s face disruptive to his rhythm; he lingered a second or two longer than he had been trained to do, returning Tristan’s bright smile, simply because Tristan’s handsome, open, friendly face invited him to do so. He was not bothered by this phenomenon, nor was he similarly overly aware of the young man’s haunches.

These kinds of thoughts may have remained unshared in most of Bretenton’s sanctuaries of adult power, but there was one place where these thoughts were not only common but expressed, indeed encouraged. I am speaking of course of the coaches’ office in the gym at Bretenton High School.

I am not suggesting for a moment that George Burton, the head coach, was lusting after the beautiful Tristan. No, indeed, all of his totally inappropriate remarks, made to one assistant coach or another, were about Jesse, and those were many and inappropriate. He assessed Jesse’s ass with a determined wonderment and was free with his assessment with the mostly younger men in his immediate employ, and some of them returned his enthusiasm, although without the element of determination that they failed to detect in him.

And yet. There was an anger, whenever Tristan was in his gym, that bubbled over a constant low heat, and the sight of the boy was a constant push on the dial of his control. His irritation with Tristan was irrational, a fact he knew but could not reject, and so he found himself constantly watching the boy, haranguing him, chewing him out for minor or imagined transgressions, all in the name of improving his character and correcting character flaws that, if pressed, Coach would have been unable to define.

Coach, if he had been forced to talk about it at all, would have said that his frustration with the boy was due to the obvious attraction that Jesse showed for Tristan, although if you will recall it was an attraction of which she herself was not aware. It was jealousy, he would have said, although naturally he would not have admitted this to anyone in his circle; Jesse was a minor even if she were not a student, and he was acutely aware of what happened to coaches who screwed little girls or even entertained such thoughts.

In his grimmer fantasies, he would succumb to a grim smugness when he considered that Tristan was not a minor, barely, and could be made to suffer the consequences of consummating any attraction he might feel for Jesse. This knowledge served as a ghostly justification for Coach’s abuse of Tristan Oh.

He also told himself that his more vicious moments were caused by his medication. Suffering from anemia, he received testosterone shots once a month at his doctor’s office. Besides the sore arm—he bruised easily with his fair skin—the irritation he felt could easily have stemmed from the wide fluctuations of testosterone in his bloodstream. Or so he reasoned; he never charted his outbursts on the gym floor and in the locker room against the dates of his injections.

But in fact, Coach’s anger stemmed from a simple and pure resentment of Tristan. Beyond the usual attributes of youth that the older generation holds as grudges—energy, untried sexuality, an unreasonably taut abdomen, to name a few—Tristan’s extraordinary physical beauty was an added goad to Coach’s aging despair. Like Blake Temple, he found himself looking at the boy more often than was usual for him, but unlike Blake, this engendered a discomfort that blossomed as rage in Coach’s soul. It was not Jesse’s ass that was disturbing George Burton, it was Tristan’s.

For his part, Tristan knew only that Coach didn’t like him. He was always yelling at him for no reason or for some trivial reason, and Tristan, not a young man accustomed to rebellion, simply tried to lay low. It never occurred to him, either, to try to please Coach. If he just tried to stay out of the man’s way, he could sometimes, though not often, get through practice or weight training without being yelled at.

Kanati and Selu (William J. Bishop)

Jeff gets there first:

 

Kana’tï And Selu: The Origin Of Game And Corn

 

William J. Bishop

 

The Strange and WONDERFUL History of WILD BOY, an Indian Foundling

 

FIT THE FIRST

 

AN INSTRUMENT OF INTRODUCTION, as is proper, for the rendering of the tale of the WILD BOY, a Cherokee infant, whose MARVELOUS AND MYSTICAL JOURNEY was first related by an aged SORCERER of that selfsame TRIBE, and the VERACITY of which was STEADFASTLY attested to by the WIDOW of the FORMER MAYOR of the Town in which said WONDROUS EVENTS, even though otherwise wholly unsubstantiated, were said to have occurred SIXTY-THREE YEARS prior to this Author fixing them into print.

 

Chapter One

It would be preferred, naturally, that a tale as lacking in verisimilitude as the one forthcoming were related as Testimonials, or even Memorials, from the persons who were said to have participated in their unfolding. However, that transference not always being practical, or even desirable, on occasion the responsibility for enshrining these events in letters will fall to a man of lesser experience — particularly insofar as experiences directly relating to the story in question — and so certain details may necessarily be omitted, or else invented, perforce, by the Author to illustrate the heretofore oral odyssey in anything more than a strictly perfunctory manner. Such being the case in this instance, the Author shall endeavour to restrain himself when presented with dramatic possibilities that, while doubtlessly engaging, have no real basis or root in fact, and particularly when said paths would do nothing to Enlighten the Reader in ways that are illustrative of character motivation, psychological subtexts, natural proclivities, foibles, et cetera.

With those caveats firmly in mind, let us begin our tale with a house — nay, something more akin to a wigwam — the stile of which aspired to be something more grand than that which could be afforded. This stoic abode leaned unapologetically against the eastern side of a hill, nearer the bottom than the top of it, neatly impressing upon one the notion that this perhaps once proud refuge was in the midst of some precarious descent. Dear Reader, look not too closely upon this withering abode, for doubtless it cannot bear the burden of such heavy scrutiny; the glare of the eye, the cluck of the tongue: such immodest sighs of disapproval could — as mercilessly as a cyclone or some other vile, unrestrained intemperance, Natural or otherwise — shatter the footings of this tender hospice, and send the stones of its foundation tumbling down the hillside like so many acorns in the whirlwinds. O Gentle Reader, do restrain thyself, I beg of thee. Withhold thy judgment until this seemingly modest tale approaches its promised magical fruition. If then, perchance, the Reader’s appetite is yet unsated, consume then the house and its occupants. The Author will not interfere. But until then — as an indulgence, perhaps? — abate, be contented, and accompany us, arm in arm, on our incipient Journey…

assignment: procrastinated Tom Jones

In the ongoing free-for-all in the Alice post, Kevin posted a quote from philosopher/physicist Georg Christoph Lichtenburg: “To do just the opposite is also a form of imitation.”

In the Wikipedia article, I found the following:

Lichtenberg was prone to procrastination. He failed to launch the first ever hydrogen balloon, and although he always dreamed of writing a novel à la Fielding’s Tom Jones, he never finished more than a few pages. He died at the age of 56, after a short illness.

And so our challenge is to write our novel à la Tom Jones (text here), but only “no more than a few pages.”

Today is Tuesday, albeit late, December 11. Your “few pages” is due by midnight, Saturday, December 15. Email it to me in some text format, and I’ll post each one as I get them.

There are some rules, of course.

Rule #1: You must use the phrase “dear Reader” at least once.

Rules #2: Let us agree that “no more than a few pages” actually means fewer than 1,500 words. If you must write more, write the d—n novel.

Other rules, in comments, as they occur to you.

Rule #3: Cut-off for rules is midnight, Thursday, December 13.

Rule #4: You cannot go all Five Obstructions on our ass, Marc.

Rule #5: You may ignore new rules, but save all radical versions of your work so as to discuss them.

Dream Land

I was actually able to work yesterday. I chose to forge ahead on the cute little number between Garrison and Elizabeth, “Dream Land,” in which they fantasize about how perfect life will be when they run away from their parents to get married.

Here’s what I added:

BRIDGE:
We’ll have
all of the money
to have all the fun we
deserve.
Summers in Maine
and winters in Spain,
Glamorous parties
with tables at Sardi’s
reserved.
Friends by the bucket,
a yacht in Nantucket,
We’ll face life unafraid
with dozens of maids
to serve us in

CHORUS
(in) Dream Land,
Life’s good
as it should be,
Everything’s peaches and cream,
We will be,
you and me, in
Dream Land.

BOTH:
Who knew that perfect wedded bliss
like this
could be ours today?
I know it’s true for me and you
when we both run away to find our

CHORUS

Insert Busby Berkely chorus ad lib.

I hacked out a couple of tunes for the bridge, but it’s got to work just right to point up those –erve rhymes. So far, it’s not functioning.