It is perhaps indicative that my first post since the Cross Country Trip should be about an alcoholic drink.  Since that time, I’ve started a new job, gone on Retreat with my Fellow Lichtenbergians, hot-tubbed with my friends at a mountain cabin for  Thanksgiving, and come up with two really snarky Liberal Rants, which I hope appear shortly on this blog.  And yet I haven’t blogged until I invented a new way to over-imbibe.  Hmm.

Anyway, in the living room I have a recent book, To Have and Have Another: a Hemingway cocktail companion, which is great fun, mostly of a handful of recipes and a great deal of literary attribution, history of legendary bars, and just plain gossip.  What more could one want?

On p. 236, we get the Villa America Special, named for the French Riviera home of Papa’s friends, Gerald and Murphy, who hosted anyone who was anyone of the period,

Gerald Murphy’s signature drink was the Villa America Special, although as the book points out, it’s basically a Sidecar.  That’s OK—I’ve rung a change on his basic recipe that I am refraining from naming because I cannot believe anyone hasn’t already done this and named it.  I’ll keep googling it.  (In the meantime, bookmark savoystomp.com.  Wow.  They hold forth at the Alembic in San Francisco, which, if you’ve been an Attentive Reader, you will remember is where the lovely first wife and I went on Haight Street on the second day of the trip.  They’re the ones who could not make us a Cinnamon Twist because they didn’t even have the ingredients.)

The Sidecar, of course, is just brandy, triple sec, and lemon juice.  Gerald Murphy gave his recipe as:

The Villa America Special and/or Sidecar

• 1.5 oz Cognac or brandy
• 1 oz. triple sec or Cointreau (or another liqueur of your choosing)
• 3/4 oz. lemon juice

Rub the rim of a cocktail glass with lemon, then dip it into coarse sugar.  Shake ingredients with ice, then strain into the sugar-rimmed glass.

It was the parenthetical “or another liqueur of your choosing” that got me going.  As part of my on-the-job training, I have been developing an online course about vintage cocktails, and one of the objectives of the course is that the learner become so comfortable with the “chemistry” of cocktails that he/she is able to invent new ones.  And this one would seem to be simple.

So I surveyed my liqueur cabinet—as one does—and chose three to start with.

The first is a liqueur that I think I bought last Christmas to inflict on my friends: Mama Walker’s Glazed Donut Liqueur [MWGDL]. It is as nasty as you are imagining.  It tastes exactly like a Krispy Kreme, but it finishes with a horrible artificial-flavoring/Aspartame aftertaste.  Not even the 20-somethings who are attached to my household would take it and give it to their friends to finish off.  (You can also get MW’s Bacon and Pancake liqueurs, FYI.)

Today was its last chance before it becomes a libation—as in “poured out to the gods”—at the Lichtenbergian Annual Meeting.  I mixed up the drink, gave it a good stir and sipped it.

Almighty Cthulhu, it was awful.  Down the drain it went.  (I should mention that I’m using an inexpensive brandy for all this.)  And so MWGDL will meet its demise as Corroborative Evidence in the flames of the Ash-Bound Brotherhood.

The third liqueur was Creme Yvette, a violet-flavored liqueur that was all the rage a century ago, but I never got to test it.

Because the second liqueur was Swedish Punsch, also a favorite of our immediate ancestors.  Trust me, it’s not common.  I had to order it online somewhere.  (I think there’s only one brand available in the U.S.)

So I made a Sidecar using Swedish Punsch, and for the sugar rim I used a Salted Caramel Sugar that we picked up at Pier 34, from spiceandtea.com.

Sidenote: This sugar is very very tasty stuff but quite expensive, and so one cannot just pour it out in a saucer and swirl your glass through it like margarita salt.  Here’s my devisement: take a saucer and a large serving spoon.  Pour your lemon juice—fresh, if you’re really serious—into the saucer, and a teaspoon’s worth of the sugar into the serving spoon.  Swirl the glass through the juice, then nudge the sugar in the spoon.  Not as fast as ye olde margarita salt, but you end up with less waste.  And sweet Cthulhu, it’s tasty.  [I have not been able to find a recipe to make your own.]

Swedish Punsch Sidecar, until I find a real name

• 1.5 oz Cognac or brandy
• 1 oz. Swedish Punsch
• ½ oz. lemon juice

Rub the rim of a cocktail glass with lemon, then dip it into Salted Caramel Sugar.  Shake ingredients with ice, then strain into the sugar-rimmed glass.

I cut back on the lemon juice a bit; it might be with fresh lemon juice you could bump it back up to 3/4 oz.  I’m thinking if one used fresh lemon juice, you could start by paring off a wide swath of lemon peel to use as garnish.  It would look swell.

As far as adjustments, it might be fun to experiment with 1/4 oz of simple syrup or agave, or perhaps a dash of blood orange bitters.  More work is required.

Final verdict: not bitter, as so many artisanal concoctions are these days*, and not sweet like the old vermouthy things.  The salt and caramel of the sugar gives a great finish.  I like it a lot, which in practical terms means I’ve had three to make sure.

update: I cannot find on the intertubes this recipe.  I claim it as mine.  Now for a name…

_____

* A whole ‘nother post to be done on Cynar, current darling of mix-meisters of the past few years

In my continuing exploration of Forgotten Cocktails, I came across the Barnum (Was Right) Cocktail.  I’m not sure whether one is supposed to call it a Barnum or give it the full Was Right treatment.

I was completely taken with the drink; it’s now my favorite, both in its original form and in my tweak of it.

Barnum Cocktail

• 2 oz. gin
• 1 oz. apricot brandy
• 1/2 oz. lemon juice
• 2 dashes Angostura bitters

Shake with ice, strain into a cocktail glass, garnish with lemon twist.

Very very nice.

Since the Lovely First Wife doesn’t care for gin (although she liked this drink), I tried it with vodka and Peychaud’s bitters for a slightly rounder taste.  It’s OK with this variation, but if you use Karlsson’s Gold vodka, then you really have something.  The earthy tones of the Karlsson’s completely fill out the flavor.

In yesterday’s post, I began rambling about the joys and challenges of exploring vintage cocktails, those drinks that have vanished from the beau monde for  one reason or the other, and we had gotten to the part where I’m enumerating the problems that arise with this hobby.

The first one was availability of materials, and it’s often a problem in Jigger, Beaker, & Glass, since it’s a reprint of a book from the 30s.  Everybody used to have pastis just sitting around, I suppose, but today you really have to look for it.

It’s not as much of a problem with this book:

Vintage Spirits and Forgotten Cocktails, by Ted Haigh (no really), is a spiral-bound notebook of 100 recipes, accompanied by their histories and photographs of period bottles, etc.  Mr. Haigh (no really) made availability of materials part of the criteria for inclusion, and where the liquid in question no longer exists he lists acceptable substitutes.  There are still rarities—it took me forever to find Parfait Amour, for example, and that was before I got this book—but on the whole it’s a great book in that regard.

In fact, Mr. Haigh relates how he was involved with the revival of bitters as a staple of the 21st century bar.  I remember recipes calling for something as simple as orange bitters, and for the longest time there was no such thing on the market.  Finally my friend Jim discovered that the Fee Bros. were making bitters again (and Mr. Haigh talks about that), and he sent me a starter kit of orange bitters, orange blossom water, mint bitters, and regular Fee Bros. bitters.  Now of course there are all kinds of bitters on the market.  I’ve added lemon and grapefruit bitters, plus Peychaud’s from New Orleans.  Celery is next on my list.

I have taken to writing notes on the drinks in the margins, both in Forgotten Cocktails and J/B/G, so that I remember from one exploration to the next what I thought of any particular drink, including any notes to changes I might make the next time I make it.  I feel like the Half-Blood Prince.

And that leads to our second problem: vintage cocktails often taste funny.  Charles Baker lays down very strict rules about the number of ingredients in J/B/G, so that helps avoid the car crashes of some of today’s libations, but tastes change.  Most of those neo-glamorous Mad Men cocktails, for example, are sweeter than you might be used to.

A great many of the Forgotten Cocktails involve fortified/aperitif wines like vermouth or Lillet Blanc or Dubonnet Rouge, and to my palate they tend to overwhelm most cocktails.  (I am one of those who will shake gin in a shaker, pour it into the martini glass, then spray a light mist of vermouth on top and call it a martini.)  In the front of the book I have written that many of these cocktails have “a sticky/sweet foretaste, a bitter aftertaste, and a vermouth-like overtone.”  I then abbreviate that as SBVO for use throughout the book, and I tend to avoid recipes with more than a hint of vermouth.

Having said that, Forgotten Cocktails is more successful than J/B/G in its selection.  (I don’t think J/B/G was curated so much as poured out.)  Some of Baker’s concoctions are just plain funky tasting; most of Haigh’s are at least valid even I don’t like them.

The problem of taste means that once you’ve mixed one of these and you find that the thing is an assault on your sensibilities—what then?  Be resolute, my friend, and dump it.  Straight into the sink.  Don’t be a man about it and finish the nasty thing, or worse, finish it because it would be a “waste.”  Dump it.

Because we have to consider the third problem: Exploring these recipes can make for a very short night.  You are after all pouring a lot of alcohol down your throat, and it would be smart to stop before consuming three.  Don’t waste one of your slots on a vile drink.  Toss it and pick a new one.

The sensible option, of course, is to make a tiny version using the proportions of the recipe.  Teaspoons instead of ounces, so that you’re swallowing a tablespoon instead of half a cup.

For this you need the following device:

It has a four-ounce capacity, and it’s marked for tablespoons, teaspoons, ounces, and milliliters.  It’s an excellent way to make a tiny Algonquin Cocktail so you can confirm that it has too much vermouth in it ever to pass your lips again, without having to waste a whole jigger of rye.

So what fabu cocktails have I discovered that have become part of my stable of offerings?

The Miyako Hotel Special is one of my earliest discoveries (in J/B/G): gin, Grand Marnier, pineapple juice.  Yummy.

The Gin-Blind: gin, cognac, curaçao, orange bitters

From Forgotten Cocktails so far:

The Bebbo: gin, lemon juice, honey, orange juice

The Brandy Crusta: lemon juice, cognac, orange curaçao, bitters

The Corpse Reviver #2: gin, Cointreau, Lillet Blanc, lemon juice, drops of absinthe

The Honeymoon: Calvados, Benedictine, orange curaçao, lemon juice

The Jack Rose: applejack, lime juice, grenadine

The Jupiter: gin, dry vermouth, Parfait Amour, orange juice

The Mamie Taylor: scotch, lime juice, ginger beer

The Monkey Gland: gin, orange juice, grenadine, absinthe (This one is phenomenal!)

The Moscow Mule: lime juice, vodka, ginger beer

The Pegu Club: gin, Cointreau, lime juice, bitters (This one is also phenomenal!)

The Seelbach: bourbon, Cointreau, Angostura and Peychaud’s bitters, champagne

The Twentieth Century (as in the train): gin, Lillet Blanc, creme de cacao, lemon juice

The Vesper (yes, the James Bond martini): gin, vodka, Lillet Blanc

The Widow’s Kiss: Calvados, Chartreuse, Benedictine, bitters

Those are the ones I’ve tried and would repeat.  There are quite a few I haven’t tried yet for lack of the proper ingredients.  (Swedish Punsch, anyone?)

I like my hobby—it’s always a blast to discover a cocktail from another age. It keeps the palate from getting bored with the quotidian gin & tonic, but beware:  once you start down this path you will have one more problem facing you, and that is that these are in fact forgotten cocktails.  You have to type your favorites into your notes and be prepared to whip out your iPhone at any point to show a bartender what you want.  However, most are extremely obliging if they have the ingredients, and the really good ones already have a copy of Forgotten Cocktails behind the bar.

Happy bon vivanting!

If you are at all of a drinking disposition—and who among us is  not?—you have spent time in bookstores/cookery* stores looking at books of cocktail recipes.  (Other than the two main books I am about to discuss here, buy the Ultimate Bar Book and be done with it.  Or pony up for the iPhone app Mixologist.  Trust me.)

Once your grown-up palate is accustomed to the basics, you start looking abroad, and the first thing you check upon being seated at any new restaurant is the cocktail list.  Do they have anything interesting, i.e., not a sweet argle-bargle for the ladies who lunch?  Leon’s in Decatur always has the most interesting, but not a lot of it is transferable.  What is one to make of their “bullet & trigger”: bulleit rye, zucca amaro, cocchi rosa, cherry, acid phosphate.  Wait, what?  Hold that thought, it will resurface in a moment.

So as I browse through bookstores/cookery stores, one of my fascinations has been cocktails from the past.  What concoctions did our forebears enjoy, how were they made, and why can’t I just step up to the bar and order a “Miyako Hotel Special” without whipping out my iPhone?  I present a couple of those here:

These two are just chock full of COCKTAILS EVERYBODY ALREADY KNOWS ABOUT.  I mean really, a Manhattan?  Or a French 75?  Honey, please.  These books are just hipster posers for novices.

No, I’m talking about the seriously long-gone concoctions that no one any longer orders.  Just imagine Leon’s’s “bullet & trigger” fifty years from now.

Fortunately, I have two books that will sate anyone’s appetite for these things.  The first is Jigger, Beaker, & Glass: drinking around the world, by Charles H. Baker, Jr.  (It’s a re-issue of Baker’s original Gentleman’s Companion, and I just noticed features a new foreword by the authors of Vintage Cocktails.  Oops.)

Baker was a bon vivant who swanned around with Hemingway and the gang back in the 20s and 30s, and he collected cocktails.

From the original preface, in which he pooh-poohs Prohibition:

We also doubt if any lemonade social ever afforded a thrill like the moonlit night in Ceylon when we went to a Hollander friend’s beach bungalow out beyond Galle Face, where we swam in the blood-warm Indian Ocean and drank enough of his Flying Fish cocktails to do, and lay on the cool sand and listened to Tauber sing Dein Ist Mein Ganzes Herz on the gramophone.  Then when we swam again we slipped out of our suits to make the water feel better, and finally, when it was very late indeed, we dressed and said goodnight and vowed eternal friendship to our host; then for precisely no reason at all dismissed our waiting carriage with a flourish of gross overpayment and walked all the way back in our evening clothes through a new quiet rain to the jetties and the motor launch, just in time to prevent one of our best American cruising friends from consummating bribery of the Quartermaster on the good ship RESOLUTE into letting him hoist a purchased baby elephant—whom he said was Edith, and over whom he politely held a Burmese parasol of scarlet oiled silk—from a hired barge onto the forward cargo hatch in a sling!

Well, hello sailor!

Here he is talking about an actual cocktail:

THE RANGOON STAR RUBY, a Wonderful & Stimulating Cocktail from Lower-Burmah

In 1926 we disembarked in Burmah from a round-the-world ship, and spent several days there before hopping off to Calcutta in a little “Bibby” boat carrying a mess of Mohammedan pilgrims headed for Mecca as deck passengers, and who did all their own cooking right down there in plain sight.  In Rangoon we joined up with several folk in the Strand bar of evenings to chin about the romantic Mandalay country far up the Irrawaddy River, and to talk over gems with Hamid and his brother from Colombo and Bombay, and to acquire a really fine zircon for someone else and a set of star sapphire dress studs for ourself.  One American headed out on leave from certain ruby mining operations up-country told us he had invented himself a drink that everyone up at headquarters liked so well he was going to shout it to the world so that no man might be denied its virtues.  He popped behind the bar before we could say “knife” and whipped up the following mixture which, due to its color, he had christened the Star Ruby.

Take 1 jigger of good cognac, 1/2 pony of cherry brandy, 1/2 pony of French vermouth, 2 dashes each of orange bitters and lemon phosphate, then for added flavour 1 tsp of kirsch, or 1/2 tsp of maraschino.  Shake with finely cracked ice, pour into a wine glass leaving a little ice floating, and let fall 6 drops of grenadine in the center of this chilly expanse for the ruby color touch.

Who can resist that kind of style?  However, the experienced drinkers among us will already recognize a couple of problems.

Our first problem with vintage cocktails: many of the ingredients are no longer freely available.  Lemon phosphate, anyone? (Well, actually…)  It’s like trying to make a bullet & trigger at home.  (And don’t get me started on Cynar, which shows up with depressing regularity in modern cocktails, or at least did last year, and which is unavailable in any liquor store I’ve checked.)

And even the ones that are freely available—who has all that stuff lying about?  It leads to madness, trying to collect all those liqueurs and mixers and bitters and phosphates, and I should know: my bar now occupies the 1920s French pastry display case in my living room, two shelves in the front hall closet, and a separate bar for single malt scotches in the playroom downstairs.  But, hey, I can make you almost anything but a bullet & trigger.

It’s lunchtime, and I will postpone my further ramblings (and the second book) till tomorrow.

_____

* Cookery was the actual, honest-to-God subject heading from the Sears List of Subject Headings the last time I looked.  I think.  The PTB might have changed it to Cooking before I left the media center, but I don’t think so.

It seems that I missed the party at which the young UGA ladies were to be fêted.  Although I was not given a deadline before which I needed to develop the signature cocktail, I nonetheless feel bad.

I have assuaged my guilt by revisiting one of the drinks I explored during the process.  Unfortunately, all I could remember that it was a tequila/pomegranate concoction, i.e., a margarita with pomegranate juice (of which I now had a refrigerator-plenty).  I could have gone in search of it, but overcome by my grief, I just made up a new version.  I’m sure it had a name already but since I had to reimagine the whole thing, I’ve given it a new name.

Srta. Dawg

• 1-1/2 oz. tequila, your choice, but for the love of Dionysus, don’t use cheap stuff
• 1 oz. orange brandy, e.g., Grand Marnier
• 3 oz. cranberry/pomegranate juice
• black salt
• lime wedge

Rim the glass with the lime wedge and black salt; dump the wedge into the glass with ice.  Pour all the other stuff into the glass.  Drink.

The combination of the salt and the sweetness of the juice is a very nice touch.

If I choose to make another one—it is Cinco de Mayo, that distinctive American holiday—I’ll take a photo.

 

I was asked recently to come up with a red and black cocktail for an upcoming graduation party, and so I’ve spent a lot of time playing with some interesting and not very appealing combinations.  It devolved into looking at any recipe online that had a picture of a red drink.

However, last night I got down to basics, and here’s my proposed solution:

Ms. Dawg

• 1 oz. orange brandy, e.g., Grand Marnier
• 1 oz. cranberry/pomegranate juice
• 1 tsp. blood orange bitters
• champagne/prosecco
• lime
• black sugar

Take a small slice of lime and juice the rim of a champagne flute.  Rim with black sugar.  Drop the lime slice into the flute.  Add the first three ingredients, then top off with champagne or prosecco.

Some helpful tips: Make your own Grand Marnier. (This is also useful.)  The blood orange bitters is amazingly available at Publix in the mixer section.  I haven’t checked locally, but both Michael’s and Hobby Lobby should carry Wilton Black Sugar.

Other than the black sugar rims making the young ladies at the party look awfully Goth, it should be a hit.

 

I think I’ve invented a new cocktail. At least, I can find nothing that matches it on the anywhere on the intertubes.

Announcing…

HONEY PLEASE

• 1 jigger American Honey liqueur
• 1 jigger Galliano
• 2-3 shakes orange bitters

Shake with ice, pour into martini glass. Garnish with strips of basil.