Stuff less bad? (Day 362/365)

So, I thought, what if I put the first part of the chorus (and all of the verses) in the minor, and then switch to major with the end part? This is what that sounds like (along with the inevitable ritard at the -ex rhyme.)

In other news, last night I watched The Five Obstructions. In it, two Danish filmmakers play. Jørgen Leth, the elder, agrees to remake portions of one of his first films, The Perfect Human, under amazingly restrictive obstructions set by the younger, Lars von Trier. For example, the first little movie must be made 1) with no edit longer than 12 frames (about half a second!); 2) in Cuba, where Leth has never been; 3) without building a set; and 4) answering the elliptical questions in the original narration (Why does he move that way? How does he move that way?)

The frame movie is a documentary of the two men as they move through this process, which takes a couple of years. I’m not sure what von Trier is up to, he seems awfully abusive in his intent, and Leth seems quite sanguine about it, but it’s a fascinating study in creativity. Leth is apparently incapable of making crap, which is von Trier’s stated goal. No matter what the obstruction, Leth turns in a gem. This seems to irritate von Trier, until he finally makes the fourth obstruction one so hideous that both men blanch: it must be a cartoon.

Needless to say, the cartoon that Leth turns in is a masterpiece. So the fifth obstruction is even nastier: von Trier will direct it, Leth will be credited as director. Leth also has to narrate it, reading a letter to von Trier from him that von Trier has written.

Finally von Trier gets his wish: it’s crap. The narrative letter is opaque in a way that only Marc can explain for us, but it’s essentially a nannie-nannie-boo-boo that von Trier has written to himself about his failure to bring Leth down. The visual accompaniment, made up of black and white shots of the two men culled from the footage, is pedestrian, and that’s being kind.

What’s fascinating about the whole venture is the way that Leth scribbles down all the instructions, the obstructions, furrows his brow, goes away very depressed, and then sets about remaking his 1967 movie, itself a perfect gem and included on the DVD, using the obstructions as tools. He expresses this directly after the first one: the 12-second edit was like “a gift.”

And von Trier recognizes his error right away. He switches from technical limitations to personal issues, but nothing slows Leth down. It’s a truism, but it’s fun to watch two geniuses confirm it: limits are a spur to creativity, not a hindrance. One of my most creative productions ever was the 1997 Midsummer Night’s Dream, when NCTC had $200 in our checking account. (It was one of those years when I relinquished the treasurer’s duties to someone else.) We could buy practically nothing, and so everything we did had to be made from what was on hand. It absolutely worked.

Of course, that was luck, having on hand materials that lent themselves to that particular creative solution. And I would certainly not want to tackle a fullscale William Blake’s Inn with no money, in fact, I am in the process of not doing that even as we breathe, but limitations are certainly one way to get yourself moving if you cannot decide how to “be creative” next.

Bad stuff (Day 361/365)

I whacked out a melody (and harmonized it) for the chorus of “I Would Never” this morning, but I don’t like it. It doesn’t sound like something that Groucho would sing. It’s OK as a melody qua melody, but it doesn’t match the lyrics in a way that I like. Oh, it’s perky enough, especially for those variant lines at the end. That part might stay. It’s the first part that needs work.

Oh, you want to hear it? I don’t know that I should expose myself as such a fraud so close to the end here.

Here you go: iwouldneverchorus.mp3 It starts with “I… would…” held on two fermata’d notes, and then launches into it.

Here are the lyrics:

I would never (he’d never)
I’d never (no never)
deride or disparage an ex:
I’m such a defender
of the delicate gender,
my feelings so tender
for all of the opposite sex.

For Carol was crazy and Lucy was gay,
And as for poor Karrie, well, what can I say?
For much as I’d love to have wrung all their necks,
I’d never, no never, disparage an ex.

4 days to go.

A little bit (Day 360/365)

I didn’t get a lot done today, at least not on this song. I had been humming out some possibilities, though, on the road to here and there, and by late evening was ready to commit something to Finale.

Well, not even the whole song, actually, just the tagline, “I’d never, no never, disparage an ex.” It was between getting all these other household/family things done, and to serve as a reminder of what was in my head.

It was also an exercise in being able to transcribe what I was hearing without using a keyboard. You perhaps know, if you’ve been reading this blog for a while, that I consider my fairly weak in many music basics. What any kid in a garage band can do, sing a line and transcribe it straight to paper, I’m never sure of.

I think that’s a weakness that I could fix if I just stay out of my study and away from the keyboard. The more I practice this kind of thing, the more apt I will become, ne-c’est pas?

5 days to go (!)

I Would Never (Day 359/365)

Up early this morning so that the painters can come finish the hall and Grayson’s bathroom, and I worked on verses:

Dissociative disorder Delores [thanks, Marc!]
Offered multiple ways to have fun.
When she sang it was always a chorus,
But then she would flourish a gun.

Romanian gymnast Ivana
Had many intriguing techniques.
But then she would take a banana and
Put you off of fruit salad for weeks.

Then there’s the lovely Vanessa,
a scrumptious, delectable dream:
Every time I’d begin to caress her
She’d grab both her buttocks and scream.

I thought I could love Amaryllis,
A waitress I stumbled upon,
But then she would give me the willies
when she followed me into the john.

I need to write actual music for this, but Roger-the-guy-who-fixes-the-air-conditioning is on vacation this week, so I’d have to drag all my stuff down from the study and set it up. I may do that next week if he’s not available soon.

By the way, the big finish will be a huge catalog of names, like a cadenza in a concerto, ending with

[huge catalog]
Leilani, Lolita, Letitia, and Lou,
Ula and Uma and Ursula, too:
For though they were total emotional wrecks,
And never forgetting the excellent sex,
I’d never, no never, (What, never?, Well, hardly ever…) disparage an ex.

I Would Never (Day 358/365)

I’m on a roll. Herewith the chorus to “I Would Never”:

CHORUS:
I would never (he’d never)
I’d never (no never)
deride or disparage an ex:
I’m such a defender
of the delicate gender,
my feelings so tender
for all of the opposite sex.

For Carol was crazy and Lucy was gay,
And as for poor Karrie, well, what can I say?
For as much as I’d love to have wrung all their necks,
I’d never, no never, disparage an ex.

In the last bit, that would change with each repetition.

For Maggie was toothless and Eleanor lisped,
And Susan would sunbathe till burnt to a crisp,
And Alicia most closely resembled T. rex,
But I’d never, no never, disparage an ex.

And that last bit I wrote while writing this post. I’m getting very good at this particular trope.

[a short while later]

For Chloe was cross-eyed and Doris a drunk
And Rita regrettably smelled like a skunk.
So I’ll say it again , if no one objects,
I’d never, no never, disparage an ex.

For Gladys had gangrene inside of her thigh,
And Molly made innocent children to cry.
For though many have given me herpes simplex,
I’d never, no never, disparage an ex.

Whee!

[even later, after another dog walking]

Amanda had scurvy, Felicia was fat,
And Winifred would end a sentence with “at.”
Because with them all I had excellent sex,
I’d never, no never, disparage an ex.

I can’t stop myself. Now I need to pile up actual verses the same way.

Thurgood’s Song (Day 357/365)

Double-ha! I walked the dog tonight and actually wrote lyrics to Thurgood’s song in Act II, wherein, if you will recall, he abuses all kinds of women along the lines of Lydia the Tatooed Lady and Egyptian Ella by denying that he would ever abuse those kinds of women.

The song will be in triple time, like “Lydia.”

Three verses so far (not counting Marc’s lovely “Dissociative Disorder Delores):

There’s a lot you could say for Gertrudë
She was clean and she came when you called.
But I’m afraid I could not have been rudah
When I found she was totally bald.

And then I was dumped by poor Mimi
Because I failed one of her tests:
It was bad that I ran away screaming
When I found that she sported three breasts.

I was ready to wed my dear Julia,
But she threw a wrench in my plan:
“Oh darling, I’m sorry to fool ya,
But you see that I’m really a man!”

And so on and so forth. The chorus will be something like, “I would never… I would never…” something something something.

8 days to go.

Nothing again (Day 356/365)

Another day of sliding back into the real world: unpacking, storing, haircuts, errands, watching the new Harry Potter movie.

Also, a charming little movie, Thunderpants, from NetFlix, featuring Rupert Grint and released the year after Sorcerer’s Stone. We highly recommend it. If it were not for a couple of profanities released by Ned Beatty’s character, it would be a great daycare movie. The main character, Patrick Smash, has an enormous flatulence problem, and his only friend is Allen A. Allen (Grint), a super-nerdy genius who has no sense of smell. It plays as if it were written by Roald Dahl.

9 days to go.

Nothing (Day 355/365)

You would think, with ten days to go in the countdown, I’d be feverishly working on something.

Alas, the fact is that I stayed up till 2:30 a.m. finishing Deathly Hallows, and today I had to clear the living room of my packing crates. My brain is still trying to reconcile that I’m not in the Land of PDM any more. These are my streets I’m walking down, my bed I’m sleeping in now, not some bizarre facsimile, and it’s still not right.

The brain rebels. That curious feeling I noted before, of a sense of unreality as I walked through the campus, I have now identified: it was relief. Now, I sit in my club chair in the living room, looking out onto College Street, wondering what Roger’s last name is so I can call him to come fix the air conditioner in my attic study, wondering what I’ll do tonight. There is no concert. There is no culminating event. There is not a steady stream of people barging in on me, asking my opinion or giving theirs. There is no laughter from the lobby, no memory of some wonderful class I’ve seen today, no anticipation of tomorrow’s events. I have to deal with the openness of reality.

Feh.

It’s far too hot to work in my study, so any extended creative work is out of the question for the moment. I could go for a walk with my music Moleskine (remember that passage in my life?) and try to come up with more songs for Day in the Moonlight, or begin sketching out the symphony. But my brain won’t work.

Perhaps tomorrow.

The mug (Day 352/365)

And here it is:

Not bad, although I think I should have used a green glaze for the interior. The size is just about right, so I was lucky there.

It does not approach the beauty of my 1987 mug, but it’s nonetheless nice. And of course it keeps me on schedule of one mug every twenty years.

I picked it up this morning in the ceramics studio; it had been unloaded last night, but I was a bit busy with a concert/world premiere/weeping.

As I write this, I’m stalling going down to Whitehead Auditorium to end it all. If I can stand it, I’ll write more about today later.