Art & Fear: 3

Art & Fear does suggest a remedy for the problem of destination for your work:

A. Make friends with others who make art, and share your in-progress work with each other frequently.
B. Learn to think of [A], rather than the Museum of Modern Art, as the destination of your work. [p. 12]

And that exactly is what I have in the Lichtenbergian Society: a group of creative men who joke about their procrastinatory proclivities, but who are in fact a vibrant core of collaborators. The fact that we gather at the Winter Solstice to record our artistic goals for the following year, and to confess progress, or not, on the previous year’s goals is enough to make them my [A].

But of course we gather throughout the year, and many times the question arises, “What are you working on?” We don’t exactly trot out our work and pass it around like the Inklings did, although I do show some of my paintings, but just the opportunity to talk about our work is enough. We also have our blog to share on, and I usually post any music in progress on my blog.

I guess I’ve solved the [A]/[B] problem for my painting. After all, most of what I’m working on in that regard is for the Lichtenbergians anyway. It’s with my music that I haven’t solved the [B] aspect quite yet. It would help if the Lichtenbergians could play in a string quartet. Lousy slackers.

One thought on “Art & Fear: 3

  1. If you’d write for brass instead of strings, you’d be one instrument closer. Besides, I know a french horn guy, too.

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