More adventures in 21st century technology

After yesterday’s frustrations with Ableton Live, I emailed their tech support.  I should expect to hear back from them in a couple of days, they said, but hey, you snooze you lose: after mentioning the problem to a couple of NTC folk, they pointed me to QLab.

Click on it!

Ahhhh, much better.  Completely simple interface, yet a hugely powerful program.  It can control audio, video, lighting, etc., etc.  I can do damage with this.  Multimedia Christmas Carol, anyone?

All I have to do is export the orchestral accompaniment to a sound file, then drag it over to QLab all in one piece, not in separate pieces like in Ableton Live.  Down at the bottom, you can see where I’ve marked “slices,” and if you look at the full photo, you can see that I’ve changed the number of repeats for that middle vamping slice to infinity.

If you look at the center panel, you can see there are two cues, the music cue and then the “devamp” cue, i.e., when I tell that cue to Go, it tells the slice to stop looping and go to the next slice.  JUST LIKE EZ•VISION, YOU GUYS!  Only this time, if I like, I can add lighting cues, video cues, etc.

Also of interest: over on the right, you can see that I’ve told QLab that these two cues are “Marley’s Departure.”  I can build an entire set of cue lists, one for each musical number.  Turn, turn, kick turn—yes, it will work!

The only problem, which I have no doubt I will overcome, is that adding the slice points can be dicey. (See what I did there?)  I have to play the cue and click on the Add Slice button where I want the slice to happen.  I can move it around easily, but what I really want is to find a way for Finale to add the marker for me so that the file will import with the slices already marked.

That, however, is minimal.  I am now set to completely rescore Christmas Carol for full orchestra—and to recreate the Overture!

Five Easier Pieces: Stuck again

Stuck in the tango.  No sign of improvement.  We are at 6 on the Lyles Scale of Compositional Agony, with no relief in sight.

So instead of actually working on it, I have downloaded the trial version of Ableton Live, a piece of music software that I have been assured by several people will be the tool I need to create an orchestral performance track for Christmas Carol.

It has been more than 15 years since I had to tinker with such software, and back then—pre-Mac OS X days, even—the software I used was simple and straightforward.  But in the intervening years, the consumer end of such things has dropped off and the pros have taken over.  If you don’t know what I mean, look at the following screenshots from Live:

Click on it to get a full view.

No, really, click on it.

Oy.

It has two “views,” Arrangement and Session.  At this point—I just installed the thing—I don’t even know which one is which.  Here’s the other one:

Click on this one too.

Oy, also too.  ::sigh::

Cover me, I’m going in.  Updates as I surface.

10:10 am: I may have a clue.  In the second image above—that’s the Session view—each of the little colored boxes is a loop of some kind, either a beatbox or riff or some other kids-these-days item.  The columns are all using the same instrument to create the clips.  The rows are called “scenes,” and that’s where you combine/recombine all your whomp-whomp bits.  (That’s a technical term.)

So, for my purposes… We’ll use “Marley’s Departure” as our test case.  Here’s a score so you can follow along at home.  We have one measure of nervous diddling about, then two measures that repeat while the cast plays a scene about Scrooge seeing a ton of spirits like Marley hovering about the London streets, and then a final measure that we jump to when we reach the cue “…and lost the power forever!”

Here’s what I think will work: I go in, export each section as a clip.   Then I’ll have three scenes in Live, each one with one clip.  Hm… now I’m hazy.  Will someone have to “play” the piece live, i.e., click on scenes 1-2-3 in order (they loop until you click on the next one)—or can I line them up in the Arrangement view, loop the second one, then whoever’s in charge of the computer clicks some kind of NEXT button to skip to the third one?

Step one is to export those three audio clips from Finale.  Back in a moment.

11:00 am: Problems:

  • Each clip seems to have two seconds of silence at the end.  I think that’s a Finale export preference thing and should be easily fixable.
  • I figured out how to add the folder of exported .aiff files to the “browser” of Live—although you can drag-and-drop directly from the Finder, but when I drag them into the Arrangement timeline, there is no sound.
  • Clicking on each clip in the browser previews the clip, i.e., plays it, but again, dragging it to the timeline produces no sound.
  • If I drag a clip in Session view, I can click the Solo button and there is sound, but it’s muddy and clicky—which is not the case if I preview it in the browser.
  • The User Manual is of no assistance in this issue.

Five Easier Pieces: No. 4, a start

The fourth Easier Piece is a tango.  Why not?

Here’s what I came up with so far this morning:

Easier Piece No. 4 (Tango) | mp3

I’m exploring the power of repeats.

One thing I will decide as I go along is how long it should be.  It might be nice to have an extremely short, langorous dance—or we could really go for it with a passionate central section that steps up our game.  Comments are welcome.

Daily ritual

I’ve been reading Daily Rituals, by Mason Currey, as my bedtime reading.  It’s a very simple read: brief descriptions of the daily working habits of scores of writers, artists, and composers.  They don’t seem to be in any particular order, and a great many of them were already known to me, but it is nonetheless inspirational in a belaboring-about-the-head-and-shoulders kind of way.

Ben Franklin had his daily ritual and even published it:

He was the first to admit that he found it difficult to follow this schedule, but that when he did it was productive.

So have I learned my lesson?  Sure—over and over again.

Back when I was fully employed and working on William Blake’s Inn and the penguin opera, I composed on Sunday mornings and Wednesday/Thursday nights without fail.  The iPad in the kitchen still beeps me every Sunday morning to remind me to get to work.

Since retirement, I have attempted to maintain a fuller schedule, to wit:

  • 6:00 wake, exercise (walking)
  • 7:00 shower, coffee
  • 7:30–8:30 do the morning’s email/Facebook checks while the lovely first wife readies herself for work (i.e., don’t start working until I’m free of interruption)
  • 8:30–11:30 compose, blog, research (upstairs/study work)
  • 11:30–1:00 lunch, crossword, surf the web
  • 1:00–4:00 read, write, correspond, run errands, household projects (downstairs/outside work)
  • 4:00–5:00 cleaning, kitchen prep
  • 5:00 et seq. cocktails, dinner, rehearsal, married life

Does it work? Mostly.  When I really buckle down, I’m able to knock out new music, blog regularly, write books, etc.  If I allow myself to be lazy, then nothing gets done.  (It is worth noting, too, that I follow this schedule only on weekdays.  Weekends are for debauchery fun.)

These past two weeks, for example, I have made real progress on Five Easier Pieces, writing and/or completing three of them, and yes, I’ve started the process of writing a book.

That book is Lichtenbergianism: procrastination as a creative strategy, and it’s based on a seminar on Lichtenbergianism a bunch of us gave at GHP back in 2013, a light-hearted—but quite serious—look at the creative process.

At first, I considered a series of blogposts for the Lichtenbergian website, but nothing was happening. I just wasn’t able to pull the swarm of ideas out of my head and put them into a coherent whole on the screen, topic by topic.

Then last week, as the weather turned warmer and I was able to return to the labyrinth for afternoon work, I pulled out my Lichtenbergianism field notebook and began writing in it, randomly.  So far I’ve been able to write about an hour every afternoon, just jotting down phrases and ideas and examples as they come to me.

In its own way, the process is a perfect exemplar of the the Nine Precepts of Lichtenbergianism:

  1. Task Avoidance: this book is not one of my Lichtenbergian goals this year.  I should be working on other stuff
  2. Waste Books: the work is being done in a waste book, in no particular order or organization other than the precepts
  3. Abortive Attempts: nothing I write is written in stone
  4. Successive Approximation: the more I write, the more organized and fleshed out it will become
  5. Gestalt: the more I write, the more I see what is missing
  6. Ritual: every afternoon, in the labyrinth if it’s nice and in the living room beside a fire if it’s not
  7. Steal from the Best: trust me, I will be referencing others’ findings and writings throughout
  8. Audience: I know who wants to read this, and I’m writing it for them
  9. Abandonment: not yet, but soon, I’m sure

So far so good.  The book and its composition are recursive: the more I write about each precept, the more I find it applies to the writing, which I then reference: “This book was started in a waste book…”

Eventually I hope to start turning the waste book material into blog posts for my fellow Lichtenbergians for their comments.  One of my gestalt visions for the book is to include sidebars and blockquotes from them about how they use the creative process in their daily work, much as we did in the original seminar.

So that’s my daily ritual.  For the moment.  I should really look at a fourth Easier Piece now…

Five Easier Pieces: No. 3

I think I’ve finished the third Easier Piece.  There’s still some slippery/bare harmonies in there, probably caused by parallel fifths/octaves but I’m not going to go check right now.  Let’s consider it done unless my theory teacher raps me across my knuckles.[1]

Five Easier Pieces: No. 3 (Étude Héroïque) | score [pdf] | mp3

—————

[1] The joke is on the universe, since it has never provided me with a theory teacher despite my specific requests that it do so.

Five Easier Pieces: Stuck

As is not unusual, I am stuck with a piece, in this case the third abortive attempt at one of the Five Easier Pieces.  Some really nice bits, especially the transition to the major key, but then it starts to wander, and I have no idea on how to end it.

I don’t know why, but recently I have avoided sharing my works-in-progress.  I don’t know why; it used to be my stock in trade to whine about how little I was accomplishing.  Perhaps it was better when I did, and so I’m sharing now.

No score, but here’s the mp3: abortive attempt #3

A ‘found’ poem

These Next 5 Minutes will ‘Change’ Your life

Shaving away: your ‘Savings’ on Razors.
Drive your Partner – ‘Crazy’ in Bed Tonight.
No more ‘struggling’ – to hook your bra!
Thousands of ‘Jobs‘ — are 2 Mins Away!
We Are Recruiting ‘New Agents’ In Your Area
We have a ‘huge selection’ – of printer ink
Stop your Dog — from ‘Pulling’ on Walks
Protect your — ‘Garage Floor’ Today!
Extra cushioning and ‘odor protection’
Find Hot-deals on winter—‘Cruises’
5 BIG ‘Early Warning’ Signs of Memory Loss?
Need ‘pricing’ on local assisted living options…
We have a ‘massive’ number – of active members…
Do Not Live in Fear: of Loud Noises !


These of course came from spam emails in my spam filter.  The mysterious thing is that on Feb. 4, the quotation marks vanished from all the subject lines!

In which I get serious or something

We spent this past weekend in Asheville, NC, and I have to recommend it highly.  Great food, fabulous art, and a kick in my creative pants!

One of the most fun things we did was to go to a bar/club called Lex 18, at which a DJ spins electroswing on Friday nights.  Do you not know what electroswing is?

Here you go:

Or here:

Or here:

You’re welcome.

The dance floor was filled with young persons who knew what they were doing, and it was fabulous.  (We also danced, for the record.)

Anyway, we visited studios and galleries and ate fantastic meals, and I’ve been inspired to get back to work.

Before heading up to Asheville, we went to Athens to hear Peter Schickele in concert.  He is now 80 and in a wheelchair, but his music has lost none of its charm, wit, or éclat.  It made me want to get home and produce music of my own.  For a change.

So this morning I sat down and got back to work on Five Easier Pieces, which has been on my plate for several years now.  I actually started a new file and played with some motifs, but when I went to save the file I found that I had a small flock of abortive attempts, so I opened those to see if there was anything worth looking at.

Lo! and also behold! most of them were actually pretty good, so I set aside this morning’s work and picked up two of them and filled them out.

And so, I present to you…

Five Easier Pieces (a companion to, and a partial apology for, Six Preludes (no fugues))

I.  No. 1 (Invention) | score [pdf] | mp3

II.  No. 2 (Waltz) | score [pdf] | mp3

There will be further reportage on the Asheville venture.